You’ll uncover the best way to choose the best shutter speeds based on the scenario in the viewfinder. We’ll discuss why sometimes you want to use the sharpest F/stop on the lens and why sometimes that’s a terrible idea. You’ll learn how to choose the ideal F/stop in any stacking situation. Next, we’ll cover what exposure modes work best and which to avoid at all costs. Oh, and this covers BOTH landscape and macro use! ![]() You’ll discover what focus stacking is, how it allows far sharper images with deeper depth than just stopping down, and how to recognize situations where you should – and should not – use it. In this section, we’ll cover everything you need to know to create amazing focus stacks using Focus Shift Shooting. Plus you can stream the videos with ANY device anywhere with an internet connection! Watch on a tablet or phone as you create your own stacks in the field and even do the same as you stack on your computer at home! Master The Fundamentals Of Focus Shift Shooting You can mark your lessons complete once you finish so you’ll always know where you left off. The course itself is online (with the option to download the videos) and designed to be incredibly easy to follow. In total, you’re getting nearly six hours of information-dense, field-tested content in this video workshop! There are a total of 20 videos, some long, some short, but broken up by topic so it’s easy to find or rewatch the info you need. This course is in two sections and ten topics. In short, 90% of what you need to know is NOT in the instruction manual – but it’s ALL in this video workshop (and more)! In fact, let’s take a look. How to finish / retouch a photo once it’s stacked.What field techniques to employ for the best results.How to choose the right shutter speed, F/stop, and ISO.How the Focus Shift Shooting menu options work.To get the most from Focus Shift Shooting, you need to know: Wanna see the difference between a stacked and a normal shot? Check it out below! One was at F/13, the other a stack for the head / front legs area. Worse, all of this is very specialized for this type of photography so it’s easy to blow once-in-a-lifetime shots. Plus, even if you know what the menu options do, that’s just the tip of the iceberg – the BULK of what you need to know is field technique and post-processing. The thing is, most people want to use Focus Shift Shooting but know very little about it – and Nikon’s instructions don’t make it any easier. However, once you unlock its full potential, you’ll start producing unique, jaw-dropping focus-stacked images that will, quite frankly, blow your viewers away! During our Costa Rica workshops, the stacked shots (using Focus Shift Shooting) always get the most stunned “oohs” and “ahhhs”! Nikon’s Focus Shift Shooting is probably one of the biggest game-changers in all of photography, but the truth is, it’s often a source of confusion and in turn, many people are hesitant to use it. If you don’t know which to buy, you can take the course and watch the demos of each to see which you like best – both Helicon and Zerene offer free trials. You don’t need these programs to use the course, but you’ll eventually want to have one for stacking. In this course, we’ll cover stacking with Photoshop, Helicon Focus, And Zerene Stacker. A RAW processor of some sort (Lightroom is used for examples, but is not required). ![]()
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